It offers a range of 160 to 51200 ISO with extended values down to 80 and up to 204800 ISO. There are two things I noticed when I first picked up the GH5S. You are getting a 400Mbit/s ALL-I codec on the GH5 and GH5S, but does it make a HUGE difference here? Is the Panasonic GH5s worthy of all the hype? Building on the Panasonic Lumix GH5, the GH5S … As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. Meanwhile stills captured by the GH5S at the same sensitivity value and low light appeared to have better rendering of detail than in comparable images from the Fuji X-T2. And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. There's no question that the Panasonic GH5S is a video-centric mirrorless camera that specializes in shooting in low light, although tests reveal that still quality should be sufficient for many uses. Take your pick – higher resolution stills and 5 axis IBIS will satisfy most people on the GH5 – but the low light and larger sensor on the GH5S are irresistible for filmmakers. If the performance changes when updated, I will re-do the test. This eliminates the thud thud thud as you move the camera whilst it’s off, the sensor block stays put. For reasons beyond my understanding the cast of the theater experience was on hand as models. Follow the explanation from LUMIX Ambassador Steven Clarey about Dual Native ISO and see, how the great Low Light sensitivity in LUMIX S1H and GH5S are achieved. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. On top of that trade off, the GH5S features Panasonic’s dual-native ISO. I have a secret project planned for this camera and I am going to enjoy doing that, first though, I wanted to see if the GH5S fulfils pretty much it’s only obligation – the first ever Micro Four Thirds camera that is clean in extremely low light? I do love the NX1 still after all these years. The colour rendering on the Nikon was very natural however… Some might prefer it’s muted tones for a smooth and realistic look to nighttime shots in the standard colour mode. And with the GH5S’s dual native vlog ISO’s of 800 and 5000 and extended ISO going all the way to a mind-bending 204,800, I will definitely want to compare the GH5 and GH5S in low light. Better Low Light Performance As alluded to above, one of the most significant advantages with the new Panasonic GH5s is it’s low light capabilities. I recently took delivery of a Panasonic GH5S. It has a new 10.2-megapixel Digital Live MOS Sensor, Venus Engine and Dual Native ISO technology, which combined together make it the most capable low-light Micro Four Thirds camera currently on the market. This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. Both images from 16000ISO on would rather not be used for cinema projection. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. The Panasonic Lumix DC-GH5S is a Micro Four Thirds mirrorless interchangeable lens camera body announced and released by Panasonic in January 2018. Sounds complicated? At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. Like. Sony FX6 is here, but will you still have a job to go with it? Add to that, if you like, a 1.5 stop Speed Booster to raise illumination even further. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. That might not make a big difference to pro shooters who will keep the camera attached to a tripod or gimbal, but it does impact handheld shooting. Who wants a randomly creeping shadow in the corner? One advantage to going this route is the GH5s would do much better in low light--which will be a factor for some of the B-Roll. When viewed on a large monitor, it appears the GH5s begins to fall apart at ISO 6400. There is an obvious nonlinearity in the numbers. Technically, any camera can take a picture in complete darkness. Specifically, I'm looking at the detail and perceptible noise on the skiff docked behind bridge, man walking on bridge, railing on bridge, etc. The GH5 isn’t hard to best in low-light, so let’s bring out a more competent challenger. They all seem to quote the sensor size as 17.3mm wide (same as the GH5) but this is for STILLS mode in 4:3 aspect ratio. The Nintendo Switch Finally Enters 2020 With a Firmware Update Full of Necessities. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. Feb 12, 2018 permalink. This is the kind of low-light prowess makes me want to grab this camera and take it everywhere, seeing just how often I can capture things in places I wouldn’t have dared to before. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. These websites are stupid because this is primarily a VIDEO camera with a multi-aspect ratio sensor that is wider in 16:9 4K than in stills mode! That never used to be the case with the Sony cameras. That is surprising as the GH5S is a full pixel readout in 10bit and the Sony is pixel binning in full frame 4K mode and cramming the result into an 8bit codec. That’s because it’s missing the GH5's in-body camera stabilization. At least 19mm I believe. This is something Panasonic should be making a bigger deal about and it means with a Metabones Speed Booster XL you are now getting a full frame 1.1x view of your Canon lenses… at least horizontally. It outperformed the full frame Sony A7R II easily in the split-screen at the same ISOs. The vignette of some of these lenses, especially wide angle, would shift around in the corners with the moving sensor during a recording, and might have been too tricky to correct digitally. But what especially surprised me was how many usable shots I was getting at ISO 6,400 and 12,800. It’s only once you push past than into ‘special use’ one off mega high ISOs that you see it’s worth. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. The 3.2-inch LCD monitor (1,620k-dot approx.) Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. Small thing, but something I quite like. It has a maximum ISO of 51,200 and Panasonic showed a demonstration of this at the meeting – it’s a very good camera in low light with realistic warm tones under artificial light. Senior reporter at Gizmodo, formerly Tom's Guide and Laptop Mag. provides a crisp live view and high visibility even in sunny shooting conditions. But the GH5S is a little different, because has two native ISOs rather than just one. A measure of Panasonic's confidence in the GH5S' low-light chops can be seen in its ISO range. This is an important consideration for a pro video camera and I expect the GH5S to find a home on high profile shows like this immediately. The mighty A7S II low light camera model barely displays any advantage at ISO 12,800 and can’t do Super 35mm mode in 4K due to the low megapixel count. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. To achieve these rather impressive specifications (for a Micro Four Thirds camera), the camera uses a combination of a low megapixel count and Dual Native ISO, a technology Panasonic has already employed on a few professional camcorders (Varicam35 and AU-EVA1). This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. But for people who often shoot in poorly lit environments, the GH5S is an upgrade that you’d be crazy not to consider. But last week, I got a chance to check out the GH5S’s low-light capabilities. Hard to say. Panasonic Leica 200mm f/2.8 ($2,997): This Panasonic Leica 200mm f/2.8 is a big 400mm-equivalent super telephoto prime, developed in partnership with Leica, that promises sharp imagery and excellent handling.With a fast f/2.8 maximum aperture users can work in low-light conditions and create images with a shallow depth of field. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. Instead it still hunts around far too often for focus in video mode, albeit a bit faster than the GH5. My first comparison came between the GH5S and my everyday shooter, a Samsung NX1 (not the most up-to-date rival, I know), with both cameras set to f/2.8 at 1/40th of second on ISO 6400. And these are just the unedited JPEGs! Try not to under-expose these cameras in low light. That larger sensor makes a difference to the field of view of your Micro Four Thirds glass too. Physical ... With this technology the model shall be predestinated for video shooting in low light and high dynamic range situations. So the GH5S is much more like the GH2. ISO 12,800 is perfectly usable now. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. Panasonic GH5S and GH5 side-by-side So I thought: before we put it up against the a7S II, I have to put it up against the original GH5. The next video is filmed on a Panasonic GH5s. Quick Conclusion.
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